/movie/45500
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files/moviepagecache/list45/douban_45500.html
SELECT * FROM `ygp_movielink` where mid='45500' and `doubanmovdataupdatetime` > '1731072156' ORDER BY id DESC limit 1
UPDATE `ygp_movielink` SET `doubanmovdataupdatetime` = '1732281757' WHERE `mid` =45500 ;
https://movie.douban.com/subject/3055962/https://www.fenxiangzhi.com/inout.php?url=https%3A%2F%2Fmovie.douban.com%2Fsubject%2F3055962%2F
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世界的图像及战争的铭文 (豆瓣)
updatetime = pubtimeupdate `ygp_movie` set cname = '世界的图像及战争的铭文',ename = 'Bilder der Welt und Inschrift des Krieges',mtype = 'Movie',episode = '',othername = 'Images of the World and the Inscription of War',lang = '德语',duration = '73分钟',`mpicurl` = 'https://img1.doubanio.com/view/photo/s_ratio_poster/public/p2873488458.jpg',`movie_type` = '纪录片',`country` = '德国',`summary` = '对图像的阅读是《世界的图像及战争的铭文》的核心。法罗基在这部影片中呈现了他对图像一贯的矛盾情绪,渴求相信图像无可比拟的揭示事实的能力,同时又对它怀有最深的不信任。从Albrecht Meydenbauer通过摄影测量建筑、一群学生在画室进行人体模特素描,到运用仪器绘制建筑图,影片向我们展示了图像在“保存”铭刻于其上的客体与现象时,亦已通过将它们转化为数据的形式最终将其“破坏”。在战争图像中,这种“双重能力”变得更加凸显,制造、阅读图像的技术和杀戮的技术在战争中重合,暴露在镜头中的目标即是将被攻击的对象。我们在这种阅读中重新审视美军“意外”捕捉到的奥兹维辛的航拍照片,或阿尔及利亚妇女被强制在镜头前摘去面纱的“证件照”。关于影像的科技、文化系统开始变得异常复杂、无解。',`pubtime` = '603993600',`showpub` = '1989-02-21',`casts` = '乌尔里克·格罗特|www.douban.com,哈伦·法罗基|www.douban.com',`directors` = '哈伦·法罗基|www.douban.com',`writers` = '哈伦·法罗基|www.douban.com',`updatetime` = '0',`dbrate` = '8.7',`imdb` = 'tt0094745' where id = '45500'
未发现
> 1 year/movie/45500Array
(
[0] => 更新完成世界的图像及战争的铭文
[1] => yingshiguang - editmoviedata
[2] => 耗时4
)